Since the vocal is typically the focal point in most songs, it needs to be at a level that allows the listener to make out the lyrics for the entirety of the performance. Use level automation and compression to control vocal dynamics If your sibilants (“s” and “sh” sounds) become too loud when adding the high-shelf filter, add Nectar Pro’s De-esser module to help tame these harsh frequencies.Ħ.
But, be careful of boosting this too much as this can cause the vocal to be too hissy and harsh on the ears. This will make sure the vocal is clear and bright to help it punch through the mix. Use a high-shelf filter to boost the high endįinally, since we want the vocal to be intelligible, the higher frequencies (5,000 Hz and above) may need a little boost with a high-shelf filter.
#Voicey sounds pro
Pro Tip: Having trouble with EQing? Get to a great starting point with Nectar’s Vocal Assistant. But, too much of a frequency buildup in this area can leave your vocal sounding boxy, boomy, or muffled. If your vocal sounds too thin, consider making a slight boost to this range in order to add some extra warmth. Unless you have some really resonant frequencies present here, this range of the spectrum should remain relatively untouched by your EQ. The low to mid frequencies are what gives a vocal it’s body and substance.
Typically at this point in the process, I export each vocal track to a new WAV file to save on my CPU later. During the repair phase, it’s also beneficial to cut out any distracting breath sounds between phrases to leave you with a good, clean vocal to work with, particularly with RX’s Breath Control feature. I typically apply RX Pro’s Mouth De-click to remove mouth sounds like clicks and lip smacking and Voice De-noise to remove any unwanted background noise from the recording. Remove unwanted noise Mouth clicks, de-noise, and breath controlĪfter I’ve comped my vocals into just a few tracks, it’s time to perform any necessary audio repairs. Comping your vocals before you start applying any processing will save tons of time in the long run because you won’t be wasting your energy processing vocals you aren’t planning on using. You want to make sure your doubles and harmonies are lined up with your main vocal as closely as possible. This is also a good time to fix any timing issues that may be present. Typically, you’ll end up with a few tracks since you’ll have one for your main vocal and a couple for your harmonies, doubles, and adlibs. Comping means that you take only the best parts of each vocal take and merge them together to create one final take. I start by comping my various takes into just a few vocal tracks.
#Voicey sounds professional
Professional sounding vocals need to be clearly heard, have a consistent level, be in tune, and have effects that enhance their presence in the mix. Let's take a look at some of the techniques and tools you can use when mixing vocals.